10/16/2019

Behringer Eurorack Ub802 Manual

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20 user reviews on Behringer Eurorack UB802. Purchased for $49.95 through Musician's Friend for use with Fostex VF-80 for external mic pre-amp. I've been using it for about eight months now.

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I bought the Behringer UB802 with eight inputs to interface three mics to my camcorder. I tried a Radio Shack Mixer, which was extremely noisy and several others including a passive mixer. None worked like the Behringer. Behringer has so many models, but this one fit the bill with future expansion, if I need it. Read and download Behringer Mixers UB802/UB502 User's Manual Page 7 online. Download free Behringer user manuals, owners manuals, instructions, warranties and installation guides, etc. Manuals and User Guides for Behringer Eurorack UB802. We have 7 Behringer Eurorack UB802 manuals available for free PDF download: Quick Start Manual, User Manual.

User’s Manual

Version 1.2 August 2002

www.behringer.com

EURORACK UB502/UB802/UB1002/UB1202

SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this device to rain and moisture.

This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure—voltagethat may be sufficient to constitute a risk of shock.

This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.

DETAILED SAFETY INSTRUCTIONS:

All the safety and operation instructions should be read before the device is operated.

Retain Instructions:

The safety and operating instructions should be retained for future reference.

Heed Warnings:

Behringer eurorack ub802 review

All warnings on the device and in the operating instructions should be adhered to.

Follow instructions:

All operation and user instructions should be followed.

Water and Moisture:

The device should not be used near water (e.g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, near a swimming pool etc.).

Ventilation:

The device should be situated so that its location or position does not interfere with its proper ventilation. For example, the device should not be placed on a bed, sofa, rug, or similar surface that may block the ventilation openings, or used in a built-ininstallation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.

Heat:

The device should be situated away from heat sources such as radiators, heat registers, stoves, or other devices (including amplifiers) that produce heat.

Power Source:

The device should only be connected to a power supply of the type described in the operating instructions or on the device.

Grounding or Polarization:

This device must be grounded.

Power Cords:

Power cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords and plugs, sockets, outlets and the point where they exit from the device.

Cleaning:

The device should be cleaned only as recommended by the manufacturer.

Non-usePeriods:

The power cord of the device should be unplugged from the outlet when left unused for a long period of time.

Debris and Liquid Entry:

Debris and/or liquids should not be allowed to enter the enclosure through openings.

Damage Requiring Service:

The device should be serviced by qualified service personnel when:

sThe power cord or the plug has been damaged; or

sDebris or liquid has entered the device; or

sThe device has been exposed to rain; or

sThe device does not appear to operate normally or exhibits a pronounced change in performance; or

sThe device has been dropped, or the enclosure damaged.

Servicing:

The user should not attempt to service the device beyond that which is described in the operating instructions. All other servicing should be referred to qualified service personnel.

EURORACK UB502/UB802/UB1002/UB1202

TABLE OF CONTENTS

1. INTRODUCTION.....................................................

4

1.1

General mixing console functions ..........................................................

4

1.2

The user’s manual ......................................................................

4

1.3

Before you get started ....................................................................

5

1.3.1 Shipment .........................................................................

5

1.3.2 Initial operation ....................................................................

5

1.3.3 Warranty ..........................................................................

5

2. CONTROL ELEMENTS AND CONNECTORS .............................

5

2.1

Mono channels .........................................................................

5

2.1.1 Microphone and line inputs ...........................................................

5

2.1.2 Equalizer .........................................................................

5

2.1.3 FX sends, panorama and level adjustment ..............................................

6

2.2

Stereo channels ........................................................................

6

2.2.1 Stereo line inputs ...................................................................

6

2.2.2 Equalizer stereo channels (UB802) ....................................................

6

2.2.3 FX sends, balance and level adjustment ................................................

6

2.3

Connector panel and main section .........................................................

6

2.3.1 Send/return effects path ..............................................................

6

2.3.2 Monitor and main mix ...............................................................

7

2.3.3 Tape connectors ...................................................................

7

2.3.4 Signal assignment .................................................................

7

2.3.5 Phantom power and LED displays .....................................................

7

3. INSTALLATION .....................................................

8

3.1

Mains connection .......................................................................

8

3.2

Audio connections .......................................................................

8

4. SPECIFICATIONS ...................................................

9

5. WARRANTY .......................................................

10

EURORACK UB502/UB802/UB1002/UB1202

FOREWORD

Dear Customer,

I’m sure you’re one of those people who have devoted themselves body and soul to your chosen area and no doubt this has transformed you into an expert in your field!

Well, for over 30 years, my passion has been music and electronics. This not only led me to establish BEHRINGER, but also enabled me to convey and share my enthusiasm with my employees.

During all the years I’ve been involved with studio technology and

end users, I have developed a feel for the things that really count, such as sound quality, reliability and ease of use. What’s more, I have always had the desire to push the boundaries of technical possibilities to the extreme.

It was precisely this motivation that prompted me to start work on a new series of mixing consoles. Since our EURORACKs had already set new standards world-wide,I knew the development objectives behind the products bearing my initials had to be especially ambitious.

Thus, the concept and design of the new UB mixing consoles bear my signature. The design work, the entire circuit diagram and PCB development, and even the mechanical concepts are my own work. I carefully selected each individual component— with the aim of pushing the mixing consoles’ analog and digital technologies to their limits.

My vision was to enable you, the user, to give free rein to your true potential and creativity. The result is incredibly powerful mixing consoles that offer intuitive operation. They cannot fail to impress with their extremely flexible routing possibilities plus fantastic wealth of functions. Innovative technologies, such as the completely new IMP “Invisible” Mic Preamps, guarantee optimum sound quality. And extraordinarily high-qualitycomponents provide unrivalled reliability, even under extreme loads.

Your new UB mixing console is of high quality yet is simple to use; you’ll soon appreciate that I, both personally and in my capacity as musician and sound engineer, put you, the end user, first and that these products were only possible because of the passion and the attention to detail that went into them.

Thank you for the confidence you have placed in us by purchasing the UB mixing console. I should also like to thank all those who, with their personal commitment and passion, have helped me realize this impressive series of mixing consoles.

Kindest regards,

Uli Behringer

1. INTRODUCTION

Congratulations! In purchasing our EURORACK UB502/UB802/ UB1002/UB1202 you have acquired a mixing console whose small size belies its incredible versatility and audio performance.

The range of inputs and outputs comprises microphone inputs (with +48 V phantom power supply, except UB502), line inputs, possibilities for connecting effects devices, connectors for a 2- track master machine (e.g. DAT recorder) and a monitor system consisting of monitor loudspeaker(s) and power amplifier (except for UB502).

IMP “INVISIBLE” MIC PREAMP

The microphone channels are fitted with BEHRINGER’s brand new premium quality IMP INVISIBLE MIC PREAMPs that boast the following features:

s130 dB dynamic range for an incredible amount of headroom

sA bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clearreproduction of even the finest nuances

sThe extremely low-noiseand distortionfree circuitry guarantees absolutely natural and transparent signal reproduction

sThey are perfectly matched to every conceivable microphone with up to 60 dB gain and +48 volt phantom power supply (UB502: no phantom power)

sThey enable full utilisation of the greatly extended dynamic range of your 24-bit/192kHz HD recorder, thereby maintaining optimal audio quality

CAUTION!

+We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully counter-clockwisebefore you switch on the unit. Always be careful to setappropriate volume levels.

1.1 General mixing console functions

A mixing console fulfils three main functions:

sSignal processing: Preamplification, level adjustment, mixing of effects, frequency equalization.

sSignal distribution: Summing of signals to the aux sends for effects processing and monitor mix, distribution to one or several recording tracks, power amp(s), control room and 2-trackoutputs.

sMix: Setting the volume level, frequency distribution and positioning of the individual signals in the stereo field, level control of the total mix to match the recording devices/ crossover/power amplifier(s). All other mixer functions can be included in this main function.

The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path.

1.2 The user’s manual

The user’s manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function. The illustrations at the beginning of each chapter show the controls described in each respective chapter.

+The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs, as well as the associated switches and controls.

EURORACK UB502/UB802/UB1002/UB1202

For the moment, just try and trace the signal path from the

2.1 Mono channels

microphone input to the FX send connector. Don’t be put off by

the huge range of possibilities; it’s easier than you think! If you

2.1.1 Microphone and line inputs

look at the overview of the controls at the same time, you’ll be

able to quickly familiarize yourself with your mixing console and

you’ll soon be making the most of all its many possibilities.

If you need to know more about specific issues, please visit

our website at http://www.behringer.com, where you’ll find

explanations of (for example) effects and dynamics applications.

1.3 Before you get started

1.3.1 Shipment

Your mixing console was carefully packed in the factory to

guarantee safe transport. Nevertheless, we recommend that

Fig. 2.1: Connectors and controls of mic/line inputs

you carefully examine the packaging and its contents for any

signs of physical damage, which may have occurred during

MIC

transit.

+ If the unit is damaged, please do NOT return it to us,

Each mono input channel offers a balanced microphone input

via the XLR connector and also features a switchable +48V

but notify your dealer and the shipping company

phantom power supply for condenser microphones. Please note:

immediately, otherwise claims for damage or

the EURORACK UB502 does not supply phantom power.

replacement may not be granted.

+ Please mute your playback system before you

1.3.2 Initial operation

activate the phantom power supply to prevent

switch-onthumps being directed to your

Be sure that there is enough space around the unit for cooling

loudspeakers. Please also note the instructions

purposes and to avoid over-heatingplease do not place your

in chapter 2.3.5 “Phantom power and LED displays”.

mixing console on high-temperaturedevices such as radiators

LINE IN

or power amps. The console is connected to the mains via the

supplied cable. The console meets the required safety standards.

Each mono input also features a balanced line input on a 1/4'

Blown fuses must only be replaced by fuses of the same type

connector. Unbalanced devices (mono jacks) can also be

and rating.

connected to these inputs.

+ Never connect the EURORACK to the power supply

+ Please remember that you can only use either the

unit when the latter is connected to the mains!

microphone or the line input of a channel at any

First connect the power supply unit to the console,

one time. You can never use both simultaneously!

then connect the power supply unit to the mains.

GAIN

+ Please note that all units must be properly

Use the GAIN control to adjust the input gain. This control

should always be turned fully counterclockwise whenever you

grounded. For your own safety, you should never

connect or disconnect a signal source to one of the inputs.

remove any ground connectors from electrical

devices or power cables, or render them in-

2.1.2 Equalizer

operative.

All mono input channels include a 3-bandequalizer, except for

+Please ensure that only qualified people install and the UB502, which is equipped with a 2-bandEQ. All bands provide operate the mixing console. During installation and boost or cut of up to 15 dB. In the central position, the equalizer

operation, the user must have sufficient electrical

is inactive.

contact to earth, otherwise electrostatic discharges

might affect the operation of the unit.

1.3.3 Warranty

Please take time to fill out and return the warranty card within

14 days after the date of purchase, so as to be entitled to benefit

from our extended warranty. Alternatively, you can use our

online registration option available on the world wide web

(www.behringer.com). You will find the serial number on the

rear of your mixing console.

Fig. 2.2: The equalizer of the mono input channels

2. CONTROL ELEMENTS AND

EQ

The upper (HI) and the lower band (LO) are shelving filters

CONNECTORS

that increase or decrease all frequencies above or below their

cut-offfrequency. Thecut-offfrequencies of the upper and

This chapter describes the various control elements of your

lower band are 12 kHz and 80 Hz respectively. The mid band

mixing console. All controls, switches and connectors will be

(UB802/UB1002/UB1202) is configured as a peak filter with a

discussed in detail.

center frequency of 2.5 kHz.

LO CUT

In addition, the mono channels (UB1002 and UB1202) are

equipped with a steep LO CUT filter (slope at 18 dB/oct.,-3dB

at 75 Hz) designed to eliminate unwanted low-frequencysignal

components.

Fig. 2.8: FX send/return controls

EURORACK UB502/UB802/UB1002/UB1202

device will then have to be brought back into the console via a normal stereo channel. This does, however, give you the ability to use the channel EQ on the effects return signal if you wish.

+ When using a stereo channel as effects return path,

the FX control of the relevant channel should

generally be turned fully down to avoid undesirable

Fig. 2.11: Tape input/output

feedback.

If only the left connector is used, the AUX RETURN automatically

Alternatively the line or tape output of a hi-fiamplifier with

source selection switch could also be hooked up here, allowing

operates in mono. Use the

AUX RET(URN) control to determine

you to easily listen to additional sources.

how much of the effects signal is sent to the main mix.

FX SEND

TAPE OUTPUT

These connectors are wired in parallel with the MAIN OUT and

The FX SEND output (does not apply for UB502) should be

carry the main mix signal (unbalanced). Connect the TAPE

connected to the input of an external effects unit. The post-

OUTPUT to the inputs of your recording device. The output level

fader FX signal you created using the input channel FX controls

is adjusted via the high-precisionMAIN MIX fader or rotary

is sent to the effects unit via the FX SEND ouput. Use theFX

control (UB802).

SEND control of the main section to adjust the overall send level

(UB1002 and UB1202 only).

2.3.4 Signal assignment

2.3.2 Monitor and main mix

Fig. 2.9: Monitor/main mix connectors

Fig. 2.10: Monitor control and main mix fader

PHONES/CONTROL ROOM

The stereo PHONES jack (at the top of the connector panel) is where you connect headphones. The unbalancedCONTROL ROOM OUT jacks carry the summed effects and main mix signals, as well as soloed channel signals. The PHONES/CONTROL ROOM control adjusts the level of both headphones and main monitor outputs. The UB502 is not equipped with control room outputs.

MAIN MIX

The MAIN OUT connectors are unbalanced mono jacks. The main mix signal appears here at a level of 0 dBu. TheMAIN MIX fader adjusts the volume of these outputs. The EURORACK UB802 and UB502 mixing consoles feature a rotary control for this purpose.

2.3.3 Tape connectors

TAPE INPUT

The TAPE INPUTs are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 can be connected.

7

1

EURORACK UB502/UB802/UB1002/UB1202

+48 V (UB802/UB1002/UB1202 only)

+ Caution! Never use unbalanced XLR connectors

The red +48 V LED lights up when phantom power is on. The

(PIN 1 and 3 connected) on the MIC input connectors

when using the phantom power supply.

PHANTOM switch activates the phantom power supply on the

XLR connectors of all mono channels.

+ Please do not connect microphones to the mixer

(or the stagebox/wallbox) as long as the phantom

power supply is switched on. Connect the micro-

phones before you switch on the power supply. In

addition, the monitor/PA loudspeakers should be

muted before you activate the phantom power

supply. After switching on, wait approx. one minute

in order to allow system stabilization.

POWER

The blue POWER LED indicates that the console is powered on.

LEVEL INDICATOR

The high-precision4-segmentdisplay accurately displays the

relevant signal level.

LEVEL SETTING:

To correctly set the gains of the channels, first set the LEVEL

controls of the input channels to their center positions (0 dB).

Then use the GAIN controls to increase the input amplification

until signal peaks show 0 dB on the level meter.

When recording to digital recorders, the recorder’s peak meter

should not go into overload. While analog recorders can be

overloaded to some extent, creating only a certain amount of distortion

(which is common and often desirable), digital recorders distort

quickly when overloaded. In addition, digital distortion is not only

undesirable, but also renders your recording completely useless.

+ The peak meters of your EURORACK display the level

virtually independent of frequency. A recording level

of 0 dB is recommended for all signal types.

3. INSTALLATION

3.1 Mains connection

AC POWER IN

Connect the power supply to the 3-pinmains connector on the

rear of the console. Use the AC adapter supplied to connect the

console to the mains. The adapter complies with all applicable

safety standards.

+ Please use only the power supply unit provided

with the console.

+ Never connect the EURORACK to the power supply

unit while the latter is connected to the mains! First

connect the console to the power supply unit, then

connect the power supply unit to the mains.

+ Please note that both the power supply unit and

the mixing console heat up considerably during

operation. This is completely normal.

3.2 Audio connections

You will need a large number of cables for different

applications. The illustrations below show how the connectors

should be wired. Be sure to use only high-gradecables.

Please use commercial RCA cables to connect the 2-track

inputs and outputs.

You can, of course, also connect unbalanced devices to the

balanced inputs/outputs. To do this, use either mono plugs or

stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the

CAUTIPTm:IvLD DRInesUItR IdDFYndRGDSIERGGDELARG

case of XLR connectors).

8 3. INSTALLATION

EURORACK UB502/UB802/UB1002/UB1202

4. SPECIFICATIONS

Mono inputs

Microphone inputs (IMP “Invisible” Mic Preamp)

Type XLR, electronically balanced, discrete input circuit

Mic E.I.N. (20 Hz - 20 kHz)

@0 Ω source resistance

@50 Ω source resistance

@150 Ω source resistance

Frequency response

Gain range

Max. input level

Impedance

Signal-to-noiseratio

Distortion (THD+N)

Line input

Type

Impedance

Gain range

Max. input level

Fade-outattenuation1 (Crosstalk attenuation)

Main fader closed Channel muted Channel fader closed

Frequency response

Microphone input to main out <10 Hz - 90 kHz

<10 Hz - 160 kHz

Stereo inputs

Type

Impedance

Max. input level

EQ mono channels

L o w

Mid

High

EQ stereo channels

L o w Mid High

Aux sends

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Type

Impedance

Max. output level

Stereo aux returns

Type

Impedance

Max. input level

-134dB / 135.7 dBA-weighted-131dB / 133.3 dBA-weighted-129dB / 130.5 dBA-weighted

<10 Hz - 150 kHz (-1dB),

<10 Hz - 200 kHz (-3dB)

+10 to +60 dB

+12 dBu @ +10 dB gain approx. 2.6 kΩ balanced 110 dB / 112 dB A-weighted(0 dBu In @ +22 dB gain)

0.005% / 0.004% A-weighted

1/4' TRS connector electronically balanced approx. 20 kΩ balanced 10 kΩ unbalanced

-10to +40 dB 30 dBu

90dB

89.5dB

89dB

+0 dB / -1dB

+0 dB / -3dB

1/4' TRS connector, electronically balanced

approx. 20 kΩ +22 dBu

80 Hz / ±15 dB

2.5 kHz / ±15 dB

12 kHz / ±15 dB

80 Hz / ±15 dB

2.5 kHz / ±15 dB

12 kHz / ±15 dB

1/4' TS connector, unbalanced approx. 120 Ω

+22 dBu

1/4' TRS connector, electronically balanced

approx. 20 kΩ bal. / 10 kΩ unbal. +22 dBu

Main outputs

Type

XLR, electronically balanced

Impedance

approx. 240 Ω bal. / 120 Ω unbal.

Max. output level

+22 dBu

Control room outputs

Type

1/4' TS connector, unbal.

Impedance

approx. 120 Ω

Max. output level

+22 dBu

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Headphones output

Type

1/4' TRS connector, unbalanced

Max. output level

+19 dBu / 150 Ω (+25 dBm)

Main mix system data2

Noise

Main mix @ -oo,

Channel fader -oo

-106dB /-109dBA-weighted

Main mix @ 0 dB,

Channel fader -oo

-95dB /-98dBA-weighted

Main Mix @ 0 dB,

Channel fader @ 0 dB

-84dB /-87dBA-weighted

Power supply

Power consumption

UB502:

13 W

UB802:

17 W

UB1002:

18 W

UB1202:

23 W

Mains voltage

USA/Canada

115 V ~, 60 Hz, MXUL5 adapter

U.K./Australia

240 V ~, 50 Hz, MXUK5 adapter

Europe

230 V ~, 50 Hz, MXEU5 adapter

Japan

100 V ~, 60 Hz, MXJP5 adapter

Dimensions

UB502

Dimensions (H x W x D)

1 5/6' / 1 1/2' (47 mm / 37 mm) x

5 1/4' (134 mm) x 7' (177 mm)

Weight (net)

approx. 0.55 kg (1.21 lbs)

UB802

Dimensions (H x W x D)

1 5/6' / 1 1/2' (47 mm / 37 mm) x

7 2/5' (189 mm) x 8 2/3' (220 mm)

Weight (net)

approx. 1.00 kg (2.21 lbs)

UB1002

Dimensions (H x W x D)

1 5/6' / 1 1/2' (47 mm / 37 mm) x

7 2/5' (189 mm) x 8 2/3' (220 mm)

Weight (net)

approx. 1.05 kg (2.31 lbs)

UB1202

Dimensions (H x W x D)

1 5/6' / 1 1/2' (47 mm / 37 mm) x

9 1/2' (242 mm) x 8 2/3' (220 mm)

Weight (net)

approx. 1.35 kg (2.97 lbs)

Measuring conditions:

1: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.

2:20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.

BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.

EURORACK UB502/UB802/UB1002/UB1202

5.WARRANTY

§1 WARRANTY CARD/ONLINE REGISTRATION

To be protected by the extended warranty, the buyer must complete and return the enclosed warranty card within 14 days of the date of purchase to BEHRINGER Spezielle Studiotechnik GmbH, in accordance with the conditions stipulated in § 3. Failure to return the card in due time (date as per postmark) will void any extended warranty claims. Based on the conditions herein, the buyer may also choose to use the online registration option via the Internet (www.behringer.com or www.behringer.de).

§2 WARRANTY

1.BEHRINGER (BEHRINGER Spezielle Studiotechnik GmbH including all BEHRINGER subsidiaries listed on the enclosed page, except BEHRINGER Japan) warrants the mechanical and electronic components of this product to be free of defects in material and workmanship for a period of one (1) year* from the original date of purchase, in accordance with the warranty regulations described below. If the product shows any defects within the specified warranty period that are not excluded from this warranty as described under § 3 and 4, BEHRINGER shall, at its discretion, either replace or repair the product using suitable new or reconditioned parts. In the case that other parts are used which constitute an improvement, BEHRINGER may, at its discretion, charge the customer for the additional cost of these parts.

Behringer eurorack ub802 power cord

2.If the warranty claim proves to be justified, the product will be returned to the user freight prepaid.

3.Warranty claims other than those indicated above are expressly excluded.

§3 RETURN AUTHORIZATION NUMBER

1. To obtain warranty service, the buyer (or his authorized dealer) must call BEHRINGER (see enclosed list) during normal business hours BEFORE returning the product. All inquiries must be accompanied by a description of the problem. BEHRINGER will then issue a return authorization number.

2.Subsequently, the product must be returned in its original shipping carton, together with the return authorization number to the address indicated by BEHRINGER.

3.Shipments without freight prepaid will not be accepted.

§4 WARRANTY REGULATIONS

1.Warranty services will be furnished only if the product is accompanied by a copy of the original retail dealer’s invoice. Any product deemed eligible for repair or replacement by BEHRINGER under the terms of this warranty will be repaired or replaced within 30 days of receipt of the product at BEHRINGER.

2.If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. The warranty does not cover any such modification/adaptation, irrespective of whether it was carried out properly or not. Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation.

3.Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by improper

handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, potentiometers, keys/buttons and similar parts.

4. Damages/defects caused by the following conditions are not covered by this warranty:

simproper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals.

sconnection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used.

sdamages/defects caused by force majeure or any other condition that is beyond the control of BEHRINGER.

5.Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the warranty.

6.If an inspection of the product by BEHRINGER shows that the defect in question is not covered by the warranty, the inspection costs are payable by the customer.

7.Products which do not meet the terms of this warranty will be repaired exclusively at the buyer’s expense. BEHRINGER will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, BEHRINGER will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order.

§5 WARRANTY TRANSFERABILITY

This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of BEHRINGER.

§ 6 CLAIM FOR DAMAGES

Failure of BEHRINGER to provide proper warranty service shall not entitle the buyer to claim (consequential) damages. In no event shall the liability of BEHRINGER exceed the invoiced value of the product.

§7 OTHER WARRANTY RIGHTS AND NATIONAL LAW

Behringer Eurorack Ub802 Review

1.This warranty does not exclude or limit the buyer’s statutory rights provided by national law, in particular, any such rights against the seller that arise from a legally effective purchase contract.

2.The warranty regulations mentioned herein are applicable unless they constitute an infringement of national warranty law.

* Customers in the European Union please contact BEHRINGER Germany Support for further details.

The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH.

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BEHRINGER, EURORACK and ULTRALINK are registered trademarks.ALL RIGHTS RESERVED. © 2002 BEHRINGER Spezielle Studiotechnik GmbH.

BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str.36-38,47877Willich-MünchheideII, Germany

Behringer Eurorack Ub802 Manual Pdf

Tel. +49 (0) 21 54 / 92 06-0,Fax +49 (0) 21 54 / 9206-30