Behringer Eurorack Ub802 Manual
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20 user reviews on Behringer Eurorack UB802. Purchased for $49.95 through Musician's Friend for use with Fostex VF-80 for external mic pre-amp. I've been using it for about eight months now.
I bought the Behringer UB802 with eight inputs to interface three mics to my camcorder. I tried a Radio Shack Mixer, which was extremely noisy and several others including a passive mixer. None worked like the Behringer. Behringer has so many models, but this one fit the bill with future expansion, if I need it. Read and download Behringer Mixers UB802/UB502 User's Manual Page 7 online. Download free Behringer user manuals, owners manuals, instructions, warranties and installation guides, etc. Manuals and User Guides for Behringer Eurorack UB802. We have 7 Behringer Eurorack UB802 manuals available for free PDF download: Quick Start Manual, User Manual.
User’s Manual
Version 1.2 August 2002
www.behringer.com
EURORACK UB502/UB802/UB1002/UB1202
SAFETY INSTRUCTIONS
CAUTION: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this device to rain and moisture.
This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the
This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.
DETAILED SAFETY INSTRUCTIONS:
All the safety and operation instructions should be read before the device is operated.
Retain Instructions:
The safety and operating instructions should be retained for future reference.
Heed Warnings:
All warnings on the device and in the operating instructions should be adhered to.
Follow instructions:
All operation and user instructions should be followed.
Water and Moisture:
The device should not be used near water (e.g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, near a swimming pool etc.).
Ventilation:
The device should be situated so that its location or position does not interfere with its proper ventilation. For example, the device should not be placed on a bed, sofa, rug, or similar surface that may block the ventilation openings, or used in a
Heat:
The device should be situated away from heat sources such as radiators, heat registers, stoves, or other devices (including amplifiers) that produce heat.
Power Source:
The device should only be connected to a power supply of the type described in the operating instructions or on the device.
Grounding or Polarization:
This device must be grounded.
Power Cords:
Power cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords and plugs, sockets, outlets and the point where they exit from the device.
Cleaning:
The device should be cleaned only as recommended by the manufacturer.
The power cord of the device should be unplugged from the outlet when left unused for a long period of time.
Debris and Liquid Entry:
Debris and/or liquids should not be allowed to enter the enclosure through openings.
Damage Requiring Service:
The device should be serviced by qualified service personnel when:
sThe power cord or the plug has been damaged; or
sDebris or liquid has entered the device; or
sThe device has been exposed to rain; or
sThe device does not appear to operate normally or exhibits a pronounced change in performance; or
sThe device has been dropped, or the enclosure damaged.
Servicing:
The user should not attempt to service the device beyond that which is described in the operating instructions. All other servicing should be referred to qualified service personnel.
EURORACK UB502/UB802/UB1002/UB1202
TABLE OF CONTENTS
1. INTRODUCTION..................................................... | 4 | |
1.1 | General mixing console functions .......................................................... | 4 |
1.2 | The user’s manual ...................................................................... | 4 |
1.3 | Before you get started .................................................................... | 5 |
1.3.1 Shipment ......................................................................... | 5 | |
1.3.2 Initial operation .................................................................... | 5 | |
1.3.3 Warranty .......................................................................... | 5 | |
2. CONTROL ELEMENTS AND CONNECTORS ............................. | 5 | |
2.1 | Mono channels ......................................................................... | 5 |
2.1.1 Microphone and line inputs ........................................................... | 5 | |
2.1.2 Equalizer ......................................................................... | 5 | |
2.1.3 FX sends, panorama and level adjustment .............................................. | 6 | |
2.2 | Stereo channels ........................................................................ | 6 |
2.2.1 Stereo line inputs ................................................................... | 6 | |
2.2.2 Equalizer stereo channels (UB802) .................................................... | 6 | |
2.2.3 FX sends, balance and level adjustment ................................................ | 6 | |
2.3 | Connector panel and main section ......................................................... | 6 |
2.3.1 Send/return effects path .............................................................. | 6 | |
2.3.2 Monitor and main mix ............................................................... | 7 | |
2.3.3 Tape connectors ................................................................... | 7 | |
2.3.4 Signal assignment ................................................................. | 7 | |
2.3.5 Phantom power and LED displays ..................................................... | 7 | |
3. INSTALLATION ..................................................... | 8 | |
3.1 | Mains connection ....................................................................... | 8 |
3.2 | Audio connections ....................................................................... | 8 |
4. SPECIFICATIONS ................................................... | 9 | |
5. WARRANTY ....................................................... | 10 |
EURORACK UB502/UB802/UB1002/UB1202
FOREWORD
Dear Customer,
I’m sure you’re one of those people who have devoted themselves body and soul to your chosen area and no doubt this has transformed you into an expert in your field!
Well, for over 30 years, my passion has been music and electronics. This not only led me to establish BEHRINGER, but also enabled me to convey and share my enthusiasm with my employees.
During all the years I’ve been involved with studio technology and
end users, I have developed a feel for the things that really count, such as sound quality, reliability and ease of use. What’s more, I have always had the desire to push the boundaries of technical possibilities to the extreme.
It was precisely this motivation that prompted me to start work on a new series of mixing consoles. Since our EURORACKs had already set new standards
Thus, the concept and design of the new UB mixing consoles bear my signature. The design work, the entire circuit diagram and PCB development, and even the mechanical concepts are my own work. I carefully selected each individual component— with the aim of pushing the mixing consoles’ analog and digital technologies to their limits.
My vision was to enable you, the user, to give free rein to your true potential and creativity. The result is incredibly powerful mixing consoles that offer intuitive operation. They cannot fail to impress with their extremely flexible routing possibilities plus fantastic wealth of functions. Innovative technologies, such as the completely new IMP “Invisible” Mic Preamps, guarantee optimum sound quality. And extraordinarily
Your new UB mixing console is of high quality yet is simple to use; you’ll soon appreciate that I, both personally and in my capacity as musician and sound engineer, put you, the end user, first and that these products were only possible because of the passion and the attention to detail that went into them.
Thank you for the confidence you have placed in us by purchasing the UB mixing console. I should also like to thank all those who, with their personal commitment and passion, have helped me realize this impressive series of mixing consoles.
Kindest regards,
Uli Behringer
1. INTRODUCTION
Congratulations! In purchasing our EURORACK UB502/UB802/ UB1002/UB1202 you have acquired a mixing console whose small size belies its incredible versatility and audio performance.
The range of inputs and outputs comprises microphone inputs (with +48 V phantom power supply, except UB502), line inputs, possibilities for connecting effects devices, connectors for a 2- track master machine (e.g. DAT recorder) and a monitor system consisting of monitor loudspeaker(s) and power amplifier (except for UB502).
IMP “INVISIBLE” MIC PREAMP
The microphone channels are fitted with BEHRINGER’s brand new premium quality IMP INVISIBLE MIC PREAMPs that boast the following features:
s130 dB dynamic range for an incredible amount of headroom
sA bandwidth ranging from below 10 Hz to over 200 kHz for
sThe extremely
sThey are perfectly matched to every conceivable microphone with up to 60 dB gain and +48 volt phantom power supply (UB502: no phantom power)
sThey enable full utilisation of the greatly extended dynamic range of your
CAUTION!
+We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully
1.1 General mixing console functions
A mixing console fulfils three main functions:
sSignal processing: Preamplification, level adjustment, mixing of effects, frequency equalization.
sSignal distribution: Summing of signals to the aux sends for effects processing and monitor mix, distribution to one or several recording tracks, power amp(s), control room and
sMix: Setting the volume level, frequency distribution and positioning of the individual signals in the stereo field, level control of the total mix to match the recording devices/ crossover/power amplifier(s). All other mixer functions can be included in this main function.
The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path.
1.2 The user’s manual
The user’s manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function. The illustrations at the beginning of each chapter show the controls described in each respective chapter.
+The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs, as well as the associated switches and controls.
EURORACK UB502/UB802/UB1002/UB1202
For the moment, just try and trace the signal path from the | 2.1 Mono channels | |||||||
microphone input to the FX send connector. Don’t be put off by | ||||||||
the huge range of possibilities; it’s easier than you think! If you | 2.1.1 Microphone and line inputs | |||||||
look at the overview of the controls at the same time, you’ll be | ||||||||
able to quickly familiarize yourself with your mixing console and | ||||||||
you’ll soon be making the most of all its many possibilities. | ||||||||
If you need to know more about specific issues, please visit | ||||||||
our website at http://www.behringer.com, where you’ll find | ||||||||
explanations of (for example) effects and dynamics applications. | ||||||||
1.3 Before you get started | ||||||||
1.3.1 Shipment | ||||||||
Your mixing console was carefully packed in the factory to | ||||||||
guarantee safe transport. Nevertheless, we recommend that | ||||||||
Fig. 2.1: Connectors and controls of mic/line inputs | ||||||||
you carefully examine the packaging and its contents for any | ||||||||
signs of physical damage, which may have occurred during | MIC | |||||||
transit. | ||||||||
+ If the unit is damaged, please do NOT return it to us, | Each mono input channel offers a balanced microphone input | |||||||
via the XLR connector and also features a switchable +48V | ||||||||
but notify your dealer and the shipping company | phantom power supply for condenser microphones. Please note: | |||||||
immediately, otherwise claims for damage or | the EURORACK UB502 does not supply phantom power. | |||||||
replacement may not be granted. | + Please mute your playback system before you | |||||||
1.3.2 Initial operation | activate the phantom power supply to prevent | |||||||
Be sure that there is enough space around the unit for cooling | loudspeakers. Please also note the instructions | |||||||
purposes and to avoid | in chapter 2.3.5 “Phantom power and LED displays”. | |||||||
mixing console on | LINE IN | |||||||
or power amps. The console is connected to the mains via the | ||||||||
supplied cable. The console meets the required safety standards. | Each mono input also features a balanced line input on a 1/4' | |||||||
Blown fuses must only be replaced by fuses of the same type | connector. Unbalanced devices (mono jacks) can also be | |||||||
and rating. | connected to these inputs. | |||||||
+ Never connect the EURORACK to the power supply | + Please remember that you can only use either the | |||||||
unit when the latter is connected to the mains! | microphone or the line input of a channel at any | |||||||
First connect the power supply unit to the console, | one time. You can never use both simultaneously! | |||||||
then connect the power supply unit to the mains. | GAIN | |||||||
+ Please note that all units must be properly | Use the GAIN control to adjust the input gain. This control | |||||||
should always be turned fully counterclockwise whenever you | ||||||||
grounded. For your own safety, you should never | ||||||||
connect or disconnect a signal source to one of the inputs. | ||||||||
remove any ground connectors from electrical | ||||||||
devices or power cables, or render them in- | 2.1.2 Equalizer | |||||||
operative. | ||||||||
All mono input channels include a |
+Please ensure that only qualified people install and the UB502, which is equipped with a
operation, the user must have sufficient electrical | is inactive. |
contact to earth, otherwise electrostatic discharges | |
might affect the operation of the unit. |
1.3.3 Warranty | ||||||
Please take time to fill out and return the warranty card within | ||||||
14 days after the date of purchase, so as to be entitled to benefit | ||||||
from our extended warranty. Alternatively, you can use our | ||||||
online registration option available on the world wide web | ||||||
(www.behringer.com). You will find the serial number on the | ||||||
rear of your mixing console. | Fig. 2.2: The equalizer of the mono input channels | |||||
2. CONTROL ELEMENTS AND | EQ | |||||
The upper (HI) and the lower band (LO) are shelving filters | ||||||
CONNECTORS | that increase or decrease all frequencies above or below their | |||||
This chapter describes the various control elements of your | lower band are 12 kHz and 80 Hz respectively. The mid band | |||||
mixing console. All controls, switches and connectors will be | (UB802/UB1002/UB1202) is configured as a peak filter with a | |||||
discussed in detail. | center frequency of 2.5 kHz. | |||||
LO CUT | ||||||
In addition, the mono channels (UB1002 and UB1202) are | ||||||
equipped with a steep LO CUT filter (slope at 18 dB/oct., | ||||||
at 75 Hz) designed to eliminate unwanted | ||||||
components. |
Fig. 2.8: FX send/return controls
EURORACK UB502/UB802/UB1002/UB1202
device will then have to be brought back into the console via a normal stereo channel. This does, however, give you the ability to use the channel EQ on the effects return signal if you wish.
+ When using a stereo channel as effects return path, | ||
the FX control of the relevant channel should | ||
generally be turned fully down to avoid undesirable | Fig. 2.11: Tape input/output | |
feedback. | ||
If only the left connector is used, the AUX RETURN automatically | Alternatively the line or tape output of a | |
source selection switch could also be hooked up here, allowing | ||
operates in mono. Use the | AUX RET(URN) control to determine | |
you to easily listen to additional sources. | ||
how much of the effects signal is sent to the main mix. | ||
FX SEND | TAPE OUTPUT | |
These connectors are wired in parallel with the MAIN OUT and | ||
The FX SEND output (does not apply for UB502) should be | ||
carry the main mix signal (unbalanced). Connect the TAPE | ||
connected to the input of an external effects unit. The post- | ||
OUTPUT to the inputs of your recording device. The output level | ||
fader FX signal you created using the input channel FX controls | ||
is adjusted via the | ||
is sent to the effects unit via the FX SEND ouput. Use theFX | ||
control (UB802). | ||
SEND control of the main section to adjust the overall send level | ||
(UB1002 and UB1202 only). |
2.3.4 Signal assignment
2.3.2 Monitor and main mix
Fig. 2.9: Monitor/main mix connectors
Fig. 2.10: Monitor control and main mix fader
PHONES/CONTROL ROOM
The stereo PHONES jack (at the top of the connector panel) is where you connect headphones. The unbalancedCONTROL ROOM OUT jacks carry the summed effects and main mix signals, as well as soloed channel signals. The PHONES/CONTROL ROOM control adjusts the level of both headphones and main monitor outputs. The UB502 is not equipped with control room outputs.
MAIN MIX
The MAIN OUT connectors are unbalanced mono jacks. The main mix signal appears here at a level of 0 dBu. TheMAIN MIX fader adjusts the volume of these outputs. The EURORACK UB802 and UB502 mixing consoles feature a rotary control for this purpose.
2.3.3 Tape connectors
TAPE INPUT
The TAPE INPUTs are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 can be connected.
7
1
EURORACK UB502/UB802/UB1002/UB1202 | ||||||||
+48 V (UB802/UB1002/UB1202 only) | + Caution! Never use unbalanced XLR connectors | |||||||
The red +48 V LED lights up when phantom power is on. The | (PIN 1 and 3 connected) on the MIC input connectors | |||||||
when using the phantom power supply. | ||||||||
PHANTOM switch activates the phantom power supply on the | ||||||||
XLR connectors of all mono channels. | ||||||||
+ Please do not connect microphones to the mixer | ||||||||
(or the stagebox/wallbox) as long as the phantom | ||||||||
power supply is switched on. Connect the micro- | ||||||||
phones before you switch on the power supply. In | ||||||||
addition, the monitor/PA loudspeakers should be | ||||||||
muted before you activate the phantom power | ||||||||
supply. After switching on, wait approx. one minute | ||||||||
in order to allow system stabilization. | ||||||||
POWER | ||||||||
The blue POWER LED indicates that the console is powered on. | ||||||||
LEVEL INDICATOR | ||||||||
The | ||||||||
relevant signal level. | ||||||||
LEVEL SETTING: | ||||||||
To correctly set the gains of the channels, first set the LEVEL | ||||||||
controls of the input channels to their center positions (0 dB). | ||||||||
Then use the GAIN controls to increase the input amplification | ||||||||
until signal peaks show 0 dB on the level meter. | ||||||||
When recording to digital recorders, the recorder’s peak meter | ||||||||
should not go into overload. While analog recorders can be | ||||||||
overloaded to some extent, creating only a certain amount of distortion | ||||||||
(which is common and often desirable), digital recorders distort | ||||||||
quickly when overloaded. In addition, digital distortion is not only | ||||||||
undesirable, but also renders your recording completely useless. | ||||||||
+ The peak meters of your EURORACK display the level | ||||||||
virtually independent of frequency. A recording level | ||||||||
of 0 dB is recommended for all signal types. | ||||||||
3. INSTALLATION | ||||||||
3.1 Mains connection | ||||||||
AC POWER IN | ||||||||
Connect the power supply to the | ||||||||
rear of the console. Use the AC adapter supplied to connect the | ||||||||
console to the mains. The adapter complies with all applicable | ||||||||
safety standards. | ||||||||
+ Please use only the power supply unit provided | ||||||||
with the console. | ||||||||
+ Never connect the EURORACK to the power supply | ||||||||
unit while the latter is connected to the mains! First | ||||||||
connect the console to the power supply unit, then | ||||||||
connect the power supply unit to the mains. | ||||||||
+ Please note that both the power supply unit and | ||||||||
the mixing console heat up considerably during | ||||||||
operation. This is completely normal. | ||||||||
3.2 Audio connections | ||||||||
You will need a large number of cables for different | ||||||||
applications. The illustrations below show how the connectors | ||||||||
should be wired. Be sure to use only | ||||||||
Please use commercial RCA cables to connect the | ||||||||
inputs and outputs. | ||||||||
You can, of course, also connect unbalanced devices to the | ||||||||
balanced inputs/outputs. To do this, use either mono plugs or | ||||||||
stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the | CAUTIPTm:IvLD DRInesUItR IdDFYndRGDSIERGGDELARG | |||||||
case of XLR connectors). |
8 3. INSTALLATION
EURORACK UB502/UB802/UB1002/UB1202
4. SPECIFICATIONS
Mono inputs
Microphone inputs (IMP “Invisible” Mic Preamp)
Type XLR, electronically balanced, discrete input circuit
Mic E.I.N. (20 Hz - 20 kHz)
@0 Ω source resistance
@50 Ω source resistance
@150 Ω source resistance
Frequency response
Gain range
Max. input level
Impedance
Distortion (THD+N)
Line input
Type
Impedance
Gain range
Max. input level
Main fader closed Channel muted Channel fader closed
Frequency response
Microphone input to main out <10 Hz - 90 kHz
<10 Hz - 160 kHz
Stereo inputs
Type
Impedance
Max. input level
EQ mono channels
L o w
Mid
High
EQ stereo channels
L o w Mid High
Aux sends
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Type
Impedance
Max. output level
Stereo aux returns
Type
Impedance
Max. input level
<10 Hz - 150 kHz
<10 Hz - 200 kHz
+10 to +60 dB
+12 dBu @ +10 dB gain approx. 2.6 kΩ balanced 110 dB / 112 dB
0.005% / 0.004%
1/4' TRS connector electronically balanced approx. 20 kΩ balanced 10 kΩ unbalanced
90dB
89.5dB
89dB
+0 dB /
+0 dB /
1/4' TRS connector, electronically balanced
approx. 20 kΩ +22 dBu
80 Hz / ±15 dB
2.5 kHz / ±15 dB
12 kHz / ±15 dB
80 Hz / ±15 dB
2.5 kHz / ±15 dB
12 kHz / ±15 dB
1/4' TS connector, unbalanced approx. 120 Ω
+22 dBu
1/4' TRS connector, electronically balanced
approx. 20 kΩ bal. / 10 kΩ unbal. +22 dBu
Main outputs | ||
Type | XLR, electronically balanced | |
Impedance | approx. 240 Ω bal. / 120 Ω unbal. | |
Max. output level | +22 dBu | |
Control room outputs | ||
Type | 1/4' TS connector, unbal. | |
Impedance | approx. 120 Ω | |
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Headphones output | ||
Type | 1/4' TRS connector, unbalanced | |
Max. output level | +19 dBu / 150 Ω (+25 dBm) | |
Main mix system data2 | ||
Noise | ||
Main mix @ | ||
Channel fader | ||
Main mix @ 0 dB, | ||
Channel fader | ||
Main Mix @ 0 dB, | ||
Channel fader @ 0 dB | ||
Power supply | ||
Power consumption | UB502: | 13 W |
UB802: | 17 W | |
UB1002: | 18 W | |
UB1202: | 23 W |
Mains voltage | ||
USA/Canada | 115 V ~, 60 Hz, MXUL5 adapter | |
U.K./Australia | 240 V ~, 50 Hz, MXUK5 adapter | |
Europe | 230 V ~, 50 Hz, MXEU5 adapter | |
Japan | 100 V ~, 60 Hz, MXJP5 adapter | |
Dimensions | ||
UB502 | ||
Dimensions (H x W x D) | 1 5/6' / 1 1/2' (47 mm / 37 mm) x | |
5 1/4' (134 mm) x 7' (177 mm) | ||
Weight (net) | approx. 0.55 kg (1.21 lbs) | |
UB802 | ||
Dimensions (H x W x D) | 1 5/6' / 1 1/2' (47 mm / 37 mm) x | |
7 2/5' (189 mm) x 8 2/3' (220 mm) | ||
Weight (net) | approx. 1.00 kg (2.21 lbs) | |
UB1002 | ||
Dimensions (H x W x D) | 1 5/6' / 1 1/2' (47 mm / 37 mm) x | |
7 2/5' (189 mm) x 8 2/3' (220 mm) | ||
Weight (net) | approx. 1.05 kg (2.31 lbs) | |
UB1202 | ||
Dimensions (H x W x D) | 1 5/6' / 1 1/2' (47 mm / 37 mm) x | |
9 1/2' (242 mm) x 8 2/3' (220 mm) | ||
Weight (net) | approx. 1.35 kg (2.97 lbs) |
Measuring conditions:
1: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.
2:20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.
BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
EURORACK UB502/UB802/UB1002/UB1202
5.WARRANTY
§1 WARRANTY CARD/ONLINE REGISTRATION
To be protected by the extended warranty, the buyer must complete and return the enclosed warranty card within 14 days of the date of purchase to BEHRINGER Spezielle Studiotechnik GmbH, in accordance with the conditions stipulated in § 3. Failure to return the card in due time (date as per postmark) will void any extended warranty claims. Based on the conditions herein, the buyer may also choose to use the online registration option via the Internet (www.behringer.com or www.behringer.de).
§2 WARRANTY
1.BEHRINGER (BEHRINGER Spezielle Studiotechnik GmbH including all BEHRINGER subsidiaries listed on the enclosed page, except BEHRINGER Japan) warrants the mechanical and electronic components of this product to be free of defects in material and workmanship for a period of one (1) year* from the original date of purchase, in accordance with the warranty regulations described below. If the product shows any defects within the specified warranty period that are not excluded from this warranty as described under § 3 and 4, BEHRINGER shall, at its discretion, either replace or repair the product using suitable new or reconditioned parts. In the case that other parts are used which constitute an improvement, BEHRINGER may, at its discretion, charge the customer for the additional cost of these parts.
2.If the warranty claim proves to be justified, the product will be returned to the user freight prepaid.
3.Warranty claims other than those indicated above are expressly excluded.
§3 RETURN AUTHORIZATION NUMBER
1. To obtain warranty service, the buyer (or his authorized dealer) must call BEHRINGER (see enclosed list) during normal business hours BEFORE returning the product. All inquiries must be accompanied by a description of the problem. BEHRINGER will then issue a return authorization number.
2.Subsequently, the product must be returned in its original shipping carton, together with the return authorization number to the address indicated by BEHRINGER.
3.Shipments without freight prepaid will not be accepted.
§4 WARRANTY REGULATIONS
1.Warranty services will be furnished only if the product is accompanied by a copy of the original retail dealer’s invoice. Any product deemed eligible for repair or replacement by BEHRINGER under the terms of this warranty will be repaired or replaced within 30 days of receipt of the product at BEHRINGER.
2.If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. The warranty does not cover any such modification/adaptation, irrespective of whether it was carried out properly or not. Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation.
3.Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by improper
handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, potentiometers, keys/buttons and similar parts.
4. Damages/defects caused by the following conditions are not covered by this warranty:
simproper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals.
sconnection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used.
sdamages/defects caused by force majeure or any other condition that is beyond the control of BEHRINGER.
5.Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the warranty.
6.If an inspection of the product by BEHRINGER shows that the defect in question is not covered by the warranty, the inspection costs are payable by the customer.
7.Products which do not meet the terms of this warranty will be repaired exclusively at the buyer’s expense. BEHRINGER will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, BEHRINGER will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order.
§5 WARRANTY TRANSFERABILITY
This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc.) shall be entitled to give any warranty promise on behalf of BEHRINGER.
§ 6 CLAIM FOR DAMAGES
Failure of BEHRINGER to provide proper warranty service shall not entitle the buyer to claim (consequential) damages. In no event shall the liability of BEHRINGER exceed the invoiced value of the product.
§7 OTHER WARRANTY RIGHTS AND NATIONAL LAW
Behringer Eurorack Ub802 Review
1.This warranty does not exclude or limit the buyer’s statutory rights provided by national law, in particular, any such rights against the seller that arise from a legally effective purchase contract.
2.The warranty regulations mentioned herein are applicable unless they constitute an infringement of national warranty law.
* Customers in the European Union please contact BEHRINGER Germany Support for further details.
The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH.
Behringer Eurorack Ub802 Mixer Review
BEHRINGER, EURORACK and ULTRALINK are registered trademarks.ALL RIGHTS RESERVED. © 2002 BEHRINGER Spezielle Studiotechnik GmbH.
BEHRINGER Spezielle Studiotechnik GmbH,
Behringer Eurorack Ub802 Manual Pdf
Tel. +49 (0) 21 54 / 92